{"id":93559,"date":"2025-10-13T11:59:20","date_gmt":"2025-10-13T09:59:20","guid":{"rendered":"https:\/\/www.citeducourt.org\/?page_id=93559"},"modified":"2025-12-16T10:10:12","modified_gmt":"2025-12-16T09:10:12","slug":"they-have-come-through-le-court","status":"publish","type":"page","link":"https:\/\/www.citeducourt.org\/en\/legacy\/they-have-come-through-le-court\/","title":{"rendered":"They have come through “Le Court”"},"content":{"rendered":"

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The Clermont-Ferrand International Short Film Festival is the world\u2019s largest cinematic event dedicated to short films. Animated masterpieces, comedies, contemporary realities, genre films, graduation projects from the best film schools worldwide, documentaries – short films reveal their full richness and diversity in the heart of Auvergne during the depths of winter.<\/p>\n

For nearly 50 years, the organizing association, Sauve qui peut le court m\u00e9trage<\/em>, has been committed to supporting the new generation of filmmakers – a mission made possible only with the collaboration of those who inspire us: directors, actors, producers, audiences, and loyal volunteers. Here is a non-exhaustive history of some of the great names who have passed through the \u201cLe Court\u201d.<\/p>\n

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The 2020’s<\/h3>\n

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2024<\/h4>\n

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On the occasion of the double focus on women in front of and behind the camera, this exceptional edition of the Festival featured all-female juries across the three competitions: National, International, and Lab.<\/p>\n

The labo jury (left) included Charlotte Boudon<\/strong> (artistic director), Ir\u00e8ne Dr\u00e9sel<\/strong> (musician, producer, singer-songwriter), and Vergine Keaton<\/strong> (director, visual artist).<\/p>\n

The National Jury (center) featured Iris Brey<\/strong> (journalist, author, director), Aur\u00e9lie Reinhorn<\/strong> (director, screenwriter), Sabrina Seyvecou<\/strong> (actress), and Sarah Saidan<\/strong> (director and animation screenwriter).<\/p>\n

Finally, the International Jury (right) was composed of Kim Keukeleire<\/strong> (South Korean animator), Jihan El-Tahri<\/strong> (Egyptian journalist, writer, and director), Kukla<\/strong> (Slovenian director, composer, and performer), and Irene Moray<\/strong> (Spanish director, actress, and photographer).<\/p>\n

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2022<\/h4>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1760349373587{margin-bottom: 15px !important;}”]The National Jury was made up of four professionals: director Yassine Qnia<\/strong>, actor Olivier Broche<\/strong>, animation filmmaker and illustrator Regina Pessoa<\/strong> (who had the honor of creating the poster for the Festival\u2019s 45th edition), and Vincent Ma\u00ebl Cardona<\/strong>, who received the C\u00e9sar for Best First Film less than a month after his appearance at the festival for Les Magn\u00e9tiques<\/em>.[\/vc_column_text][vc_single_image image=”88841″ img_size=”full” onclick=”link_image” css=””][\/vc_column][vc_column width=”1\/2″][vc_row_inner][vc_column_inner][vc_column_text css=”.vc_custom_1743412054402{margin-bottom: 15px !important;}”]<\/p>\n

2023<\/h4>\n

[\/vc_column_text][vc_single_image image=”88829″ img_size=”full” onclick=”link_image” css=””][vc_column_text css=”.vc_custom_1760349424771{margin-bottom: 15px !important;}”]For this edition, a star-studded National Jury was in Clermont-Ferrand to watch the 56 French short films: Bastien Dubois<\/strong> (animation filmmaker), Claude le Pape<\/strong> (screenwriter and director, notably worked on Petit Paysan<\/em> by Hubert Charuel), Alain Guiraudie<\/strong> (director), Rabah Na\u00eft Oufella<\/strong> (actor), and Fanny Sidney<\/strong> (actress and director).[\/vc_column_text][vc_column_text css=”.vc_custom_1760349692647{margin-bottom: 15px !important;}”]The 2023 Lab Grand Prize, awarded by Ivete Lucas, Val\u00e9rie Mr\u00e9jen, and Ke-Xi Wu, went to Yann Gonzalez<\/strong> (director of both short and feature films, including Knife + Heart<\/em> and Les Rencontres d\u2019apr\u00e8s Minuit<\/em>) for his film Hideous<\/em>.[\/vc_column_text][vc_single_image image=”88831″ img_size=”full” onclick=”link_image” css=””][\/vc_column_inner][\/vc_row_inner][vc_separator border_width=”2″ css=””][vc_column_text css=”.vc_custom_1743413585875{margin-bottom: 15px !important;}”]<\/p>\n

2021<\/h4>\n

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For this exceptional year, as the festival was held entirely online, the International Jury was composed of directors Hefang Wei<\/strong> and Anthony Nti<\/strong>, actress and director B\u00e9rang\u00e8re McNeese<\/strong>, producer Bertrand Faivre<\/strong> (of the production company Le Bureau: La Panth\u00e8re des Neiges<\/em>, Un pays qui se tient sage<\/em>\u2026), and Pascale Faure<\/strong>, programmer and long-time festival collaborator, pictured here with her honorary Vercing\u00e9torix award.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

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The 2010’s<\/h3>\n

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2019<\/h4>\n

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The National Jury was composed of Hubert Charuel<\/strong> (director), C\u00e9line Devaux<\/strong> (director), Dominique Reymond<\/strong> (actress), Vincent Macaigne<\/strong> (actor, director, and stage director), and Jackie Berroyer<\/strong> (actor, screenwriter, writer).<\/p>\n

The Lab Jury included Bruno Nuytten<\/strong> (director, cinematographer), Jenn Nkiru<\/strong> (director), and Claire Denis<\/strong> (director, screenwriter). Claire Denis received the Cannes Film Festival Grand Prix in 2022 for her film Stars at Noon<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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2017<\/h4>\n

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Les re\u0301alisateurs\u00a0Benoi\u0302t Dele\u0301pine,\u00a0Se\u0301bastien Betbeder\u00a0<\/strong>et\u00a0Olivier Babinet<\/strong> \u00e9taient au jury national accompagne\u0301s par Laurie Le\u0301ve\u0302que<\/strong>\u00a0(come\u0301dienne) et\u00a0Maud Alpi<\/strong>\u00a0(re\u0301alisatrice).<\/p>\n<\/div>\n<\/div>\n<\/div>\n

Le re\u0301alisateur\u00a0Ladj Ly\u00a0<\/strong>(ici accompagn\u00e9 par une partie de son \u00e9quipe) venait pre\u0301senter son court me\u0301trage Les Mise\u0301rables<\/em>. Il a re\u00e7u le prix CANAL+, et re\u0301alisera quelques anne\u0301es plus tard le long me\u0301trage du m\u00eame nom, qui recevra de nombreuses re\u0301compenses dont quatre C\u00e9sar et le Prix du jury au festival de Cannes.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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2015<\/h4>\n

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Here\u2019s a National Jury that saw the birth of some lasting friendships: alongside writer and director Christian Rouaud<\/strong> (Tous au Larzac<\/em>), a young generation of artists came together, including Lyes Salem<\/strong> (actor, director, and screenwriter), Thomas Cailley<\/strong> (director and screenwriter of the acclaimed Le R\u00e8gne animal<\/em>), Claire Burger<\/strong> (whose latest feature Langue \u00e9trang\u00e8re<\/em> was released in 2024), and the rapper, writer, and director Abd Al Malik<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2013<\/h4>\n

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Director Philippe Le Guay<\/strong>, often associated with Fabrice Luchini and known for films such as Les Femmes du 6e \u00e9tage<\/em>, was on the National Jury.<\/p>\n

Beno\u00eet Forgeard<\/strong>, director and actor, served on the Lab Jury. Selected in 2019 with his film Yves<\/em> at the Directors’ Fortnight, he had also directed Gaz de France<\/em>. Audiences could see him act in Les L\u00e9zards<\/em>, set in a hammam alongside Vincent Macaigne.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2018: The festival celebrates its 40th anniversary!<\/h4>\n

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An actors\u2019 masterclass was presented by Laurent Weil with four notable guests: Laurent Lucas<\/strong>, Philippe Rebbot<\/strong>, Franc Bruneau<\/strong>, and Laetitia Spigarelli<\/strong>.<\/p>\n

The team from Jusqu\u2019\u00e0 la garde<\/em> came to present the film in a preview screening, with L\u00e9a Drucker<\/strong> and Denis Menochet<\/strong> supporting director Xavier Legrand<\/strong>. The short film Avant que de tout perdre<\/em>, which can be considered a prequel to the feature, had been a hit at Clermont-Ferrand, winning the Grand Prix, the Press Prize, the Student Prize, and the National Audience Award in 2013. The feature film went on to receive no fewer than five C\u00e9sar Awards the following year.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2016<\/h4>\n

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The National Jury brought together Philippe Faucon<\/strong>, director of Fatima<\/em> (winner of three C\u00e9sar Awards in 2016); filmmakers Guillaume Brac<\/strong> (director of numerous short and feature films, including \u00c0 l’Abordage<\/em> in 2020), \u00c9milie Brisavoine<\/strong> (director of Pauline s’arrache<\/em>), and Leyla Bouzid<\/strong> (director of Une histoire d’amour et de d\u00e9sir<\/em>, presented at Cannes in 2021). Bottom right, the musician Dom La Nena<\/strong>, cello virtuoso, performing alongside Rosemary Standley (singer of Moriarty) since 2012 in Birds on Wire<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2014<\/h4>\n

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Arthur Harari<\/strong> recevait le prix e\u0301tudiant et une mention presse Te\u0301le\u0301rama pour son film Peine perdue<\/em>. Il re\u0301alisera par la suite les longs me\u0301trages\u00a0Diamant noir<\/em> (qui permit \u00e0 Niels Schneider d’obtenir le C\u00e9sar du meilleur espoir masculin), Onoda<\/em>, qui a ouvert la se\u0301lection Un certain regard a\u0300 Cannes en 2021 ou encore co-\u00e9crit avec Justine Triet le d\u00e9sormais culte Anatomie d’une chute<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2012<\/h4>\n

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The young director Vincent Macaigne<\/strong> received the Grand Prize and the T\u00e9l\u00e9rama<\/em> Press Award in the national competition, along with a special mention from the student jury for his first film Ce qu’il restera de nous<\/em>.<\/p>\n

He would later join the National Jury in 2019.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The 2000’s<\/h3>\n

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2009<\/h4>\n

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Action film director Olivier Megaton<\/strong> served on the national jury. After making numerous short films, he went on to work with Luc Besson on big-budget features, including several Taken<\/em> films and Transporter 3<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2004<\/h4>\n

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Israeli filmmaker and actress Hiam Abbas<\/strong> presented her film The Eternal Dance<\/em>, which won the Procirep Production Award.
Actor and director Mathieu Amalric<\/strong>, meanwhile, made a notable appearance on the National Jury.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2000<\/h4>\n

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Belgian actor and director Bouli Lanners<\/strong> was competing in the national section with Travellinckx<\/em>.<\/p>\n

The young and already inseparable directors Olivier Nakache<\/strong> and \u00c9ric Toledano <\/strong>– who would later go on to make Those Happy Days<\/em>, The Intouchables<\/em>, and C\u2019est la vie! – <\/em>presented Les Petits Souliers<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2007<\/h4>\n

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The multidisciplinary and unclassifiable artist Rosto<\/strong>, creator of Thee Wreckers Tetralogy<\/em> and designer of the 2007 festival poster, served on the Labo jury. Jean-Marc Vall\u00e9e<\/strong>, the multi-award-winning director of Dallas Buyers Club<\/em>, was on the International Jury.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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2002<\/h4>\n

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Antonin Peretjatko<\/strong>, a prolific director moving between short and feature films, was selected in the National Competition with Rush Hour<\/em>.<\/p>\n

Jalil Lespert<\/strong> was also present, pictured below with his co-director S\u00e9bastien Dacek for Coffee and Dreams<\/em> – two years after serving on the National Jury and just one year after receiving the C\u00e9sar Award for Most Promising Actor for his role in Human Resources<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The 90’s<\/h3>\n

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1998<\/h4>\n

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Zinedine Soualem<\/strong>, a regular at the Short Film Festival, was a member of the National Jury. A longtime friend of the organizing team, he\u2019s pictured here with Christian Denier.<\/p>\n

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1994<\/h4>\n

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The young actress Claire Nebout<\/strong>, who had previously worked under the direction of Andr\u00e9 T\u00e9chin\u00e9, Claude Zidi, and Marco Bellocchio, was invited to join the National Jury.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In the National Competition, two future major filmmakers went head-to-head: Xavier Giannoli<\/strong> was presenting his first short film, Le Condamn\u00e9<\/em>, more than 25 years before releasing his seven-C\u00e9sar-winning feature Lost Illusions<\/em>.<\/p>\n

Meanwhile, prolific screenwriter Gilles Marchand<\/strong> – who would go on to collaborate with Laurent Cantet, Dominik Moll, Val\u00e9rie Donzelli, and C\u00e9dric Kahn – won the Grand Prix for Joyeux No\u00ebl<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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1990<\/h4>\n

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The eternal Antoine Doinel, a.k.a. Jean-Pierre L\u00e9aud<\/strong> – the quintessential actor of the French New Wave – served as a jury member alongside screenwriter Suzanne Schiffman<\/strong> (who also collaborated extensively with Fran\u00e7ois Truffaut) and actor G\u00e9rard Desarthe<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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1995<\/h4>\n

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What a rich year for short films! On the jury side, filmmaker Tony Gatlif<\/strong> served on the International Competition, while the legendary actress Micheline Presle<\/strong> was part of the National Jury.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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In the international competition, young Qu\u00e9b\u00e9cois filmmaker Denis Villeneuve<\/strong> presented his film REW FFWD<\/em>.<\/p>\n

But it was Danish director Thomas Vinterberg<\/strong> who won the Audience Award, along with a Special Jury Mention, for The Boy Who Walked Backwards<\/em>. Two years later, he would direct Festen<\/em>, which went on to win the Jury Prize at the Cannes Film Festival.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The National Competition also featured some remarkable names.<\/p>\n

Fran\u00e7ois Ozon<\/strong> was back for the third time with his short film La Petite Mort<\/em>.<\/p>\n

Laurent Cantet<\/strong> came to present his now-cult Tous \u00e0 la manif<\/em>.<\/p>\n

But it was \u00c9rick Zonca<\/strong> who took home the Grand Prix<\/strong> with \u00c9ternelles<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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1992<\/h4>\n

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The National Jury posed here: director Michel Such<\/strong>, actress Val\u00e9rie Mairesse<\/strong>, actor F\u00e9odor Atkine<\/strong>, actress Agn\u00e8s Soral<\/strong>, and illustrator Max Cabanes<\/strong>.<\/p>\n

That same year saw the screening of Carne<\/em> by Gaspar No\u00e9<\/strong>, featuring Philippe Nahon<\/strong> (who won the Best Actor Award for his performance) and Blandine Lenoir<\/strong> (who would return several times as a director and later win the Best First Fiction Award for her short film Avec Marinette<\/em> in 2000). The acting duo would reunite for the feature-length sequel I Stand Alone<\/em> (Seul contre tous<\/em>), No\u00e9\u2019s first feature film \u2014 already announcing the dark and violent tone of his future work.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Les ann\u00e9es 80<\/h3>\n

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1989<\/h4>\n

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Patrick Bouchitey\u00a0<\/strong><\/span>remportait le grand prix avec <\/span>Lune froide<\/em>, adapt\u00e9 de Bukowski et plus tard prolong\u00e9 en long m\u00e9trage. \u00a0<\/span><\/p>\n

Jean-Pierre Kalfon\u00a0<\/span><\/strong>\u00e9tait \u00e9galement de la partie, posant ici devant la grande affiche tel un guerrier brandissant son catalogue, il apparait dans le film Le Vampire et Le Lapin<\/em> en comp\u00e9tition nationale.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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1986<\/h4>\n

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Le regrett\u00e9 Cyril Collard<\/strong> vint pr\u00e9senter son court m\u00e9trage Alger la blanche<\/em> en comp\u00e9tition nationale et remportait le prix du public et le prix CANAL+.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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1983<\/h4>\n

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Jean-Pierre Jeunet<\/strong> faisait partie du jury. Il revint en 1990 avec Foutaises<\/em> (qui remportait alors le prix du public et le prix de la presse) : il expliquera plus tard que lors de la projection de son film en salle Jean-Cocteau, c’est en se retournant pour voir les r\u00e9actions du public (quelque 1 300 personnes tout de m\u00eame !) qu’il d\u00e9cida plus tard d’int\u00e9grer cette impression sous la forme d’une sc\u00e8ne dans Le Fabuleux Destin d’Am\u00e9lie Poulain<\/em>.<\/p>\n

Il revient en 2017 avec son tout dernier court m\u00e9trage Deux escargots s’en vont<\/em> (cor\u00e9alis\u00e9 avec Romain Segaud) pr\u00e9sent\u00e9 en ouverture comme la montre la photo ci-dessous, Jean Pierre Jeunet est au centre sur le canap\u00e9 surplomb\u00e9 par une photo du jury de 1983 sur laquelle on le reconna\u00eet au premier rang.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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1987<\/h4>\n

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Le chor\u00e9graphe Philippe De\u0301coufle\u0301<\/strong> \u00e9tait compe\u0301tition avec Caramba<\/em>\u00a0– accompagne\u0301 par\u00a0Christophe Salengro,\u00a0<\/strong>futur pr\u00e9sident de Groland, qui revint d’ailleurs en 2012 pour jumeler la c\u00e9l\u00e8bre pr\u00e9sipaut\u00e9 avec le festival international du court m\u00e9trage de Clermont-Ferrand.<\/p>\n

Le r\u00e9alisateur Ce\u0301dric Klapisch<\/strong> remportait le prix sp\u00e9cial du jury national (dont fait partie le com\u00e9dien f\u00e9tiche de Jean-Pierre Jeunet, Dominique Pinon<\/strong>) pour In Transit<\/em>, r\u00e9compense qu\u2019il remportera e\u0301galement en 1990 avec\u00a0Ce qui me meut,\u00a0<\/em>qui deviendra le nom de sa soci\u00e9t\u00e9 de production.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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1985<\/h4>\n

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Le jeune com\u00e9dien Tch\u00e9ky Kario<\/strong>, qui avait d\u00e9j\u00e0 fait ses armes chez Chantal Akerman, Romain Goupil, Ren\u00e9 Allio ou Jacques Deray, fit un d\u00e9tour par Clermont-Ferrand au jury national (ici \u00e0 droite sur la photo aux c\u00f4t\u00e9s des membres cofondateurs du festival Roger Gonin et Antoine Lopez).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Thanks to the photographers :<\/h6>\n
Juan Alonso, <\/span>R\u00e9mi Boissau, <\/span>Serge Bullo, <\/span>Ewen Cabal, <\/span>Baptiste Chanat, <\/span>Bruno Couderc, <\/span>Emma Da Silva, <\/span>Camille Dampierre , <\/span>Marine Deligeard, <\/span>Pierre-Jean Fontfr\u00e8de, <\/span>Alain Genestier, <\/span>Anette Jourde, <\/span>Danyel Massacrier, <\/span>Jacques Pouillet , <\/span>Abiga\u00eblle Robineau, <\/span>Michel Vasset.<\/span><\/h6>\n

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[vc_row][vc_column][vc_column_text css=”” el_class=”intro”] The Clermont-Ferrand International Short Film Festival is the world\u2019s largest cinematic event dedicated to short films. Animated masterpieces, comedies, contemporary realities, genre films, graduation projects from the best film schools worldwide, documentaries – short films reveal their full richness and diversity in the heart of Auvergne during the depths of winter. 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